von Weber"s triangle - significado y definición. Qué es von Weber"s triangle
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Qué (quién) es von Weber"s triangle - definición

GERMAN COMPOSER
Carl Maria Weber; Carl Maria Friedrich Ernst von Weber; Carl Maria Friedrich Ernest von Weber; Karl Maria von Weber; Carl von Weber; Karl Maria Friedrich Ernst, Baron von Weber; Von Weber; Von weber; Karl Maria Friedrich Ernst von Weber; Weber, Karl Maria Friedrich Ernst von; Carl maria von weber; Carl maria von webber; Carl-Maria von Weber; Carl Maria Von Weber; Cmvw; C. M. F. E. von Weber; C. von Weber
  • Carl Maria von Weber (1814) Painting by [[Thomas Lawrence]]
  • Weber's summer home (1818–1824) near Dresden; the  [[Carl Maria von Weber Museum]]
  • de}}, Dresden, Städtische Galerie
  • Weber's grave in the Old Catholic Cemetery in Dresden

Von Weber (surname)         
FAMILY NAME
Von Weber (disambiguation)
von Weber is a German surname based on the name Weber, with the added nobiliary particle "von". Notable people with this name include:
Carl Maria von Weber         
Carl Maria Friedrich Ernst von Weber (18 or 19 November 17865 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and critic who was one of the first significant composers of the Romantic era. Best known for his operas, he was a crucial figure in the development of German Romantische Oper (German Romantic opera).
Karl Jakob Weber         
SWISS INGENIEUR AND AMATEUER ARCHAEOLOGIST
Karl Weber (archaeologist)
Karl Jakob Weber (12 August 1712 – 1764) was a Swiss architect and engineer who was in charge of the first organized excavations at Herculaneum, Pompeii and Stabiae, under the patronage of Charles VII of Naples. At first a soldier and military engineer, he joined the excavations in 1749.

Wikipedia

Carl Maria von Weber

Carl Maria Friedrich Ernst von Weber (18 or 19 November 1786 – 5 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and critic who was one of the first significant composers of the Romantic era. Best known for his operas, he was a crucial figure in the development of German Romantische Oper (German Romantic opera).

Throughout his youth, his father, Franz Anton, relentlessly moved the family between Hamburg, Salzburg, Freiberg, Augsburg and Vienna. Consequently he studied with many teachers – his father, Johann Peter Heuschkel, Michael Haydn, Giovanni Valesi, Johann Nepomuk Kalcher and Georg Joseph Vogler – under whose supervision he composed four operas, none of which survive complete. He had a modest output of non-operatic music, which includes two symphonies; a viola concerto; bassoon concerti; piano pieces such as Konzertstück in F minor and Invitation to the Dance; and many pieces that featured the clarinet, usually written for the virtuoso clarinetist Heinrich Baermann. His mature operas—Silvana (1810), Abu Hassan (1811), Der Freischütz (1821), Die drei Pintos (comp. 1820–21), Euryanthe (1823), Oberon (1826)—had a major impact on subsequent German composers including Marschner, Meyerbeer, and Wagner; his compositions for piano influenced those of Mendelssohn, Chopin and Liszt. His best known work, Der Freischütz, remains among the most significant German operas.